A “grammar” of music and its perspicuous representations

Authors

  • Vojtěch Kolman ÚFaR, FF UK v Praze Česká republika

DOI:

https://doi.org/10.26806/fd.v5i1.137

Keywords:

Wittgenstein, gramatika, hudba

Abstract

The paper elaborates on Wittgenstein’s idea of philosophical grammar by transposing it to the field of music and demonstrating how the concept of “perspicuous representation” can be used in delimiting philosophy as something that cannot be meaningfully said.

Author Biography

Vojtěch Kolman, ÚFaR, FF UK v Praze Česká republika

associate professor
(1994-1999) study of logic, (1999-2002) PhD study in logic (thesis: Logic of Gottlob Frege), supervisor: prof. RNDr. Jaroslav Peregrin, Csc., (2002-2009) assistant professor at the department of logic, (2002) awarded Bolzano's Prize, (2003-2009) deputy-head of the department, (2004-5) Humboldt Research Fellowship at the Institut of Philosophy, University of Leipzig, gastgeber: prof. Pirmin Stekeler-Weithofer, (2009-) associate professor at the institute of philosophy, (2009) awarded "The Book of the Year"-Prize of the Publishing House Academia

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Published

2013-08-09

Issue

Vol. 5 No. 1 (2013)

Section

Articles

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